Label: Reprise Records - MS • Format: Vinyl LP, Album • Country: US • Genre: Jazz, Folk, World, & Country • Style: Acoustic, Dixieland John Fahey and his Orchestra* - After The Ball (, Vinyl) | Discogs/5(18). Pairing Fahey with what appears to be a Dixieland revival band, After the Ball, Fahey's second and last Reprise release, stands as one of the stranger recordings of /5(5). - after the ball LP - zricovorulschofaneminsitiscontlo.coinfo Music. Skip to main content Hello, Sign in. Account & Lists Sign in Account & Lists Returns CDs & Vinyl Go Search Hello Select your address Gift ideas for Dad. Best Sellers Customer Service New Releases Find a /5(5).
John Fahey & His Orchestra – After The Ball. Producer –Denny Bruce,John Fahey. Vinyl, LP, Album. Arranged By –Jack Feierman. B6 After The Ball Trumpet –Jack Feierman. B5 Candy Man A2 New Orleans Shuffle Seller Rating: % positive. May 07, · After the Ball, an Album by John Fahey and His Orchestra. Released in on Reprise (catalog no. MS ; Vinyl LP).3/5(5). Pairing Fahey with what appears to be a Dixieland revival band, After the Ball, Fahey's second and last Reprise release, stands as one of the stranger recordings of his enigmatic career. With Fahey performing solo and in duet with mandolin, banjo, and uke player Allen Reuse, or with an entire "orchestra" backing him, the album suffers from too many mood swings. Individually, .
Discogs で John Fahey and his Orchestra* - After The Ball に関するリリース、レビュー、クレジット、楽曲などを発見し、John Fahey and his Orchestra* のコレクションを完成させま /5(30). Label: Reprise Records - MS • Format: Vinyl LP, Album, Reissue gram • Country: US • Genre: Rock, Blues • Style: Folk Rock, Acoustic John Fahey And His Orchestra* - Of Rivers And Religion ( gram, Vinyl) | Discogs. Prior to his major label release on Warner Bros. Records, Fahey had released no fewer than a dozen albums for Vanguard Records and his own Takoma label exhibiting a singular guitar style. With the release of OF RIVERS AND RELIGION () and AFTER THE BALL (), it's unclear whether Fahey was searching for a broader audience or simply taking advantage of a /5(16).
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